Not too long ago, LGBTQ+ people who wanted to see themselves represented in holiday movies could either (a) pretend or (b) settle for a second-rate film with a queer character who had very few lines, ambition, or development.Įarly in the contemporary holiday queer canon, The Family Stone, which stars gay icon Sarah Jessica Parker as a (shocker) snobby New Yorker spending the holidays at her boyfriend’s family home, became queer canon for its B-plot gay couple with ambitions to adopt a baby.
